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'Spider-Man,' 'Blade Runner' footage kicks off CinemaCon

Iron Man just put Spider-Man in time out.

Sony Pictures on Monday unveiled the second trailer for "Spider-Man: Homecoming" at CinemaCon, featuring Tom Holland, the newly anointed web-slinger, being put in his place by Robert Downey Jr.'s more seasoned Tony Stark. The film, out July 7, picks up with Holland's Peter Parker returning to high school after the events of "Captain America: Civil War," and wanting to immediately get back into the action as a new threat emerges from Michael Keaton's Vulture.

The annual gathering of theater owners, exhibitors and Hollywood studios kicked off Monday evening at Caesar's Palace in Las Vegas with Sony Pictures' presentation of their upcoming slate, featuring new looks at everything from "Blade Runner 2049" and "Jumanji: Welcome to the Jungle" to the Stephen King adaptation "The Dark Tower." The studio also announced that they were bumping up the release of Edgar Wright's "Baby Driver" to June 28 from its planned August release.

Ryan Gosling was on hand to preview the "Blade Runner 2049" trailer in advance of its Oct. 6 release. The sequel to Ridley Scott's seminal 1982 dystopian Los Angeles epic picks up with a new cop, Gosling's Officer K, on a mission and looking for advice from Harrison Ford's Rick Deckard.

"I had your job once," Ford says in the trailer. "I was good at it."

Director Denis Villeneuve's vision was dark and stylized, and very much in the vein of Scott's film. It's not, as Sony Chairman Tom Rothman noted. However, little was revealed about the secretive plot which is said to expand the mythology and continue the story.

Rothman spoke nostalgically of the power of seeing "Blade Runner."

"I saw the future, of man and movies both," Rothman said. "Like millions around the world, I longed for more ever since."

Gosling, who was only 2 when the original came out, remembers seeing the film when he was 13 or 14.

"I saw everything that stole from it first," the actor said. "I was just blown away by how influential this film had been, not only in film but in my reality as well."

The studio also previewed a first look at "The Dark Tower," out July 28, an adaptation of Stephen King's seminal saga starring Idris Elba as Roland the Gunslinger and Matthew McConaughey as the Man in Black. The gritty fantasy takes audiences from the real world where a young boy, Jake (Tom Taylor), has visions of the Tower and the Gunslinger before sliding through a portal to another reality.

Dwayne Johnson and Jack Black were on site as well to tease "Jumanji: Welcome to the Jungle," a sequel to the 1995 Robin Williams pic about a board game that gets a little too real. The film, set in the present day, takes everyday high school students into a body swapping situation with the characters in the game (i.e. the nerdy kid in the game becomes Dwayne Johnson and the beautiful popular girl becomes Jack Black).

"We wanted to make a movie that was not only phenomenal, not only paid homage to the original, but something that had evolved, something that could be global, something that could be fun," Johnson said. He remembered meeting the late Robin Williams at CinemaCon years ago and being too nervous to talk to him.

"Jumanji: Welcome to the Jungle" hits theaters on Dec. 22.

As with every year at the annual convention, the sanctity of the theatrical experience was paramount, with everyone from studio executives to the filmmakers stressing to the audience that their movies are ones that will attract audiences to the cinema.

"Netflix, my ass," Rothman said after the "Blade Runner 2049" footage showed — the first but likely not the last of the jabs at streaming services threatening to upend the theatrical model. As the annual convention gets underway, there are talks of negotiations between studios and exhibitors to experiment with shortened theatrical windows that could allow consumers to purchase films for $30 to $50 within 30 to 40 days of release.

CinemaCon runs through Thursday.

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Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr

Golden Globe winner Christine Kaufmann dies in Germany

Christine Kaufmann, an Austrian-born actor who became the country's first Golden Globe winner and was married to Tony Curtis in the 1960s, has died. She was 72.

Kaufmann died in Munich after a battle with leukemia, her management company told the dpa news agency Tuesday.

Born in 1945, Kaufmann made her acting debut in 1952 and won a Golden Globe for her 1961 Hollywood debut, "Town Without Pity," where she played alongside Kirk Douglas as a German girl raped by American soldiers.

She met Curtis the year later while filming "Taras Bulba" and the two married in 1963. They had two daughters before divorcing in 1968.

While continuing to act, Kaufmann later in life also wrote health and beauty books, and established her own line of cosmetics.

Box Office Top 20: 'Beauty' adds $90.4 million in weekend 2

Disney's live-action "Beauty and the Beast" performed even better than expected in its second weekend in theaters, adding $90.4 million to its North American grosses, which now tally at $319 million.

"Beauty and the Beast" easily topped the crop of newcomers, including Lionsgate's "Power Rangers" which got off to a solid start with $40 million and a few less successful debuts as well.

The sci-fi thriller "Life," starring Jake Gyllenhaal and Ryan Reynolds opened in fourth place, behind "Kong: Skull Island," with a middling $12.5 million, while the big screen take on "CHIPS" only managed to bring in $7.7 million in its first weekend in theaters for a seventh place start.

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by comScore:

1. "Beauty And The Beast," Disney, $90,426,717, 4,210 locations, $21,479 average, $319,032,604, 2 Weeks.

2. "Power Rangers," Lionsgate, $40,300,288, 3,693 locations, $10,913 average, $40,300,288, 1 Week.

3. "Kong: Skull Island," Warner Bros., $14,670,653, 3,666 locations, $4,002 average, $133,747,891, 3 Weeks.

4. "Life," Sony, $12,501,936, 3,146 locations, $3,974 average, $12,501,936, 1 Week.

5. "Logan," 20th Century Fox, $10,334,390, 3,163 locations, $3,267 average, $201,644,986, 4 Weeks.

6. "Get Out," Universal, $8,851,845, 2,474 locations, $3,578 average, $147,669,880, 5 Weeks.

7. "Chips," Warner Bros., $7,722,802, 2,464 locations, $3,134 average, $7,722,802, 1 Week.

8. "The Shack," Lionsgate, $3,859,551, 2,330 locations, $1,656 average, $49,146,595, 4 Weeks.

9. "The Lego Batman Movie," Warner Bros., $2,100,951, 1,638 locations, $1,283 average, $170,972,203, 7 Weeks.

10. "The Belko Experiment," OTL Releasing, $1,878,370, 1,341 locations, $1,401 average, $7,648,935, 2 Weeks.

11. "Hidden Figures," 20th Century Fox, $753,140, 640 locations, $1,177 average, $167,015,012, 14 Weeks.

12. "The Last Word," Bleecker Street, $535,493, 380 locations, $1,409 average, $988,218, 4 Weeks.

13. "John Wick: Chapter Two," Lionsgate, $457,414, 403 locations, $1,135 average, $90,851,421, 7 Weeks.

14. "Rogue One: A Star Wars Story," Disney, $446,992, 267 locations, $1,674 average, $531,314,491, 15 Weeks.

15. "Passengers," Sony, $397,472, 506 locations, $786 average, $99,886,692, 14 Weeks.

16. "Lion," The Weinstein Company, $394,481, 320 locations, $1,233 average, $50,736,321, 18 Weeks.

17. "T2: Trainspotting," Sony, $389,453, 59 locations, $6,601 average, $622,727, 2 Weeks.

18. "Wilson," Fox Searchlight, $336,227, 310 locations, $1,085 average, $336,227, 1 Week.

19. "The Sense Of An Ending," CBS Films, $276,816, 235 locations, $1,178 average, $1,031,040, 3 Weeks.

20. "Phillauri," Fox International Productions, $260,982, 74 locations, $3,527 average, $260,982, 1 Week.

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Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

Gianopulos named new chairman of Paramount Pictures

Viacom Inc. named Jim Gianopulos the new chairman and chief executive officer of Paramount Pictures, turning to the former Fox chief to revive the flagging movie studio.

Gianopulos will succeed Paramount's former chairman, Brad Grey, who was ousted in February. Viacom Chief Executive Bob Bakish said Monday that Gianopulos will be able to deliver the recovery needed to "begin the next chapter in Paramount's storied history."

But hits have lately been lacking for Paramount, which has trimmed its release schedule and seen its standing in Hollywood slide. Along with overseeing production, marketing and distribution at the studio, Gianopulos has been tasked with setting a new strategy for Paramount. The studio lost $445 million in its 2016 fiscal year.

"Looking ahead, I see a strong opportunity to position the studio for success by creating valuable franchise opportunities, developing fresh creative ventures, and mining Viacom's deep brand portfolio to bring exciting new narratives to life," Gianopulos said in a statement.

Gianopulos was pushed out of 20th Century Fox last year when Stacey Snider was promoted to lead the Fox Filmed Entertainment Group. At Fox, Gianopulos notably oversaw the likes of "Avatar" and the "X-Men" franchise in his 16 years of running the studio.

Though Paramount had a number of critically acclaimed Oscar contenders last year ("Fences," ''Arrival"), it has struggled to find the franchise blockbusters studios depend on for the lion's share of its ticket sales. Paramount's biggest movie last year was the so-so performing "Star Trek Beyond," which made $343.5 million worldwide. But it released a string of clunkers, including "Zoolander 2," ''Ben-Hur" and "Teenage Mutant Ninja Turtles: Out of the Shadows."

Formerly under Sumner M. Redstone, Viacom wasn't willing to plunk down the kind of money other studios, like the Walt Disney Co., have invested in sought-after intellectual properties. Instead, the studio has turned to financing partners and China to claw its way back. But some of those efforts haven't panned out. A ballyhooed $1 billion co-financing deal with Chinese firms, Huahua Media and Shanghai Film Group, has, at least for now, stalled.

Gianopulos is expected to have bigger budgets to work with and to increase the studio's annual output. He will also be called on to better leverage Viacom's other properties (among them Comedy Central, MTV, BET and Nickelodeon) on the big screen.

Viacom's TV business, though, has also recently struggled. Bakish, who was named chief executive in December, has led a restructuring intended to refocus the media conglomerate on its core brands.

George Lucas gives another $10M to USC for student diversity

George Lucas has given another $10 million to the University of Southern California's School of Cinematic Arts to fund the student diversity program he helped establish.

The donation was announced Monday by USC, Lucas' alma mater. Last fall, USC established a foundation in Lucas' name to support students from underrepresented communities who qualify for financial support. It was funded with an initial $10 million gift from the George Lucas Family Foundation.

Michael Renov, vice dean of academy affairs, said the gift will help USC "recruit storytellers whose voices are underrepresented in cinematic media and whose inclusion benefits all of us."

Actress Shailene Woodley reaches deal in pipeline protest

Hollywood actress Shailene Woodley has reached a plea deal that calls for no jail time over her involvement in protests against the Dakota Access oil pipeline in North Dakota.

The "Divergent" star was among 27 activists arrested Oct. 10. She livestreamed her arrest on Facebook.

She initially pleaded not guilty to criminal trespass and engaging in a riot, misdemeanors carrying a maximum punishment of a month in jail and a $1,500 fine.

Woodley signed a court document Friday agreeing to plead guilty to misdemeanor disorderly conduct, serve one year of unsupervised probation and forfeit $500 bond. The agreement is awaiting a judge's approval. Woodley was scheduled to stand trial this Friday.

Opponents of the $3.8 billion pipeline worry about potential environmental damage. About 750 protesters have been arrested since August.

WATCH: Jokesters make case for 12-foot Paul Walker statue at council meeting

If you’re ever trying to get a city council to listen to your proposition, opening your argument with, “What up, council?” is probably not the best way to begin. But that’s exactly what a jokester in San Clemente, California, did, and we can’t stop laughing at this guy and his fellow "surfer bro" friend.

In a now-viral video from a recent San Clemente City Council meeting, the young man identified himself as "freelance journalist" Chad Kroeger, which just happens to be the same name as the lead singer in the band Nickelback. Then he passionately made his case to have a statue of the late Paul Walker erected in the town.

>> Watch the video here

Kroeger claimed that his love for the late actor came when he was 11 and “my first love Ashley betrayed me by moving to Newport Beach.” In hopes of cheering him up, his father took him to see “The Fast and the Furious,” and he’s never looked back.

The prankster was followed by his cohort, identified as Bodhi Johnson, who added that the film "was epically life-changing."

>> Read more trending news

"It gave me the courage to ask out Shelby; it taught me to never back down, even if a super-tough crew of street racers come at you – stand tall," he said.

KCBS reported that the pair, who previously spoke at a Burbank City Council meeting, are featured in several comedic videos on YouTube.

– The Cox Media Group National Content Desk contributed to this report.

Insider Q&A: Mattel's COO talks Barbie movie

Mattel is looking to the movies. The maker of Barbie and Hot Wheels, which has live-action films based on those toys in the works, says it wants to find new ways to be on more screens in front of more kids. These days, that takes more than a 30-second commercial.

Big-screen movies are a first for 72-year-old Mattel, which has mostly relied on television ads, apps and straight-to-DVD movies to promote its toys. It launched a separate unit last year to help produce films, TV shows and other content with studio partners. The Barbie movie hit a snag last week when comedian Amy Schumer dropped out of the starring role citing scheduling conflicts. The film is being made with Sony and it's expected to be released next year. A Hot Wheels film is also in development.

Mattel will also be on TV starting April 7 on ABC, showing its search for the next big toy idea in a competition show called "The Toy Box." Chief Operating Officer Richard Dickson says Mattel is making the winning toy now, and it will go on sale at Toys R Us stores after the series ends May 19.

Other changes Mattel has made include new body shapes, hair types and skin colors for Barbie, and the American Girl brand's first boy doll .

Dickson spoke recently with The Associated Press about how Mattel is trying to bring new life to its classic toys. Questions and answers have been edited for clarity and length.

Q: Why the focus on movies and TV shows?

A: Kids today can obviously skip commercials. And screen time today is not one screen, it's multiple screens. Our objective is to be everywhere our consumers are. They are on their phone. They are on their laptop. They're on their iPad. They're on their television. There is no center.

Q: What's the Barbie movie about?

A: I can't get into a lot of detail as to what the story will be, but I can tell you what it is. It is live action. It is going to be a story that continues to celebrate the idea that girls can be anything. I think the way that we narrate that story will be entertaining for girls of all ages. And I also think it will be, hopefully, appealing to some boys also.

Q. With Amy Schumer out of the Barbie movie, is there a search for someone else? What are you looking for? Another comedian?

A: We have a list of people who are interesting and interested. We look forward to working with Sony to bring the vision of the character and the story to life.

Q: Why the changes to Barbie's body shape last year?

A: Historically, we never addressed the cultural pushback that we always had with people criticizing Barbie's body. And we sort of justified it by saying it's a toy and it's not a real human and we sort of moved on. And one of the things that we've done, to reintroduce the brand as relevant, is to listen to the consumer and start to have a dialogue with her instead of a monologue.

Q: In 2015, a Barbie ad featured a boy for the first time. Why the attention to boys?

A: We know for a fact that a lot of boys play with Barbie and it hasn't been something that we've acknowledged. In many cases it is a boy playing out a Barbie world with his sister. And then there are boys who actually drive the play themselves. We are pretty pronounced with boys, we just never really expressed it in marketing.

'Beauty and the Beast' dances off with top box-office spot

Not all reboots are created equal.

This weekend at the box office, nostalgia-driven fare was everywhere, from "Beauty and the Beast" to "Power Rangers" and "CHIPS," producing both successful and underwhelming results.

On the high end, Disney's live-action "Beauty and the Beast" continued enchanting audiences in its second weekend in theaters, easily topping the charts with $88.3 million, according to studio estimates Sunday. On the low end, Warner Bros.' raunchy, R-rated "CHIPS" debuted in seventh place with $7.6 million.

In the middle was Lionsgate's "Power Rangers," which earned a solid $40.5 million to grab the No. 2 spot. The PG-13 take on the campy 1990s television show tells the origin story of the Power Rangers with a diverse teenage cast of relative newcomers.

Its audiences were 60 percent male, while "Beauty and the Beast" crowds remained largely female. The divide allowed both to succeed in the crowded marketplace.

"Power Rangers" didn't get the best reviews, but audiences gave it a promising A CinemaScore, suggesting that it might have staying power in the coming weeks.

"CHIPS," on the other hand, underwhelmed audiences, critics and the studio. Dax Shepard wrote, directed and starred in the action comedy based on the 1970s and '80s TV show about the California Highway Patrol.

Costing $25 million to produce, "CHIPS" wasn't the biggest risk, but its $7.6 million debut disappointed. The film also got a deathly B- CinemaScore from audiences.

"Brand recognition will get you far — it gives you a leg up before you even start — but at the end of the day, it comes down to the movie itself," said Paul Dergarabedian, senior media analyst for comScore. "No matter how much brand equity they have with a particular title, the real test is: How do critics and audiences respond to that film?

"You still have to deliver a solid movie that will entice people to spend their hard-earned money to go see something that they already know, or already know about," he said.

That's where Disney has succeeded, with its latest remake earning $317 million in just 10 days in North American theaters and $690.3 million worldwide.

"With 'Beauty and the Beast' there have been decades of goodwill and the Disney brand and so many more elements going into it than just the intellectual property," Dergarabedian said. "Disney makes it look easy. Others have had more challenges."

Also this weekend, the sci-fi thriller "Life" failed to connect with audiences, debuting in fourth place with $12.6 million behind holdover "Kong: Skull Island" with $14.4 million.

The R-rated space film stars Jake Gyllenhaal and Ryan Reynolds as astronauts who discover that the alien life form they have brought on board might be dangerous. With a $58 million price tag, Sony and Skydance's "Life" has a long journey to profitability.

Dergarabedian said that part of the reason for its muted launch might be that recent space films, such as "Passengers" and "Arrival," are available for home viewing. The much-anticipated "Alien: Covenant" and "Guardians of the Galaxy Vol. 2" also are on the horizon.

Despite some flops, the March 2017 box office, which crossed $1 billion this weekend, has become the biggest March of all time, with help from the strength of "Logan," ''Kong: Skull Island," ''Get Out" and "Beauty and the Beast."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

1."Beauty and the Beast," $88.3 million ($119.2 million international).

2."Power Rangers," $40.5 million ($18.7 million international).

3."Kong: Skull Island," $14.4 million ($93 million international).

4."Life," $12.6 million ($16.1 million international).

5."Logan," $10.1 million ($12.1 million international).

6."Get Out," $8.7 million ($2.2 million international).

7."CHIPS," $7.6 million ($1.9 million international).

8."The Shack,"$3.8 million.

9."The Lego Batman Movie," $2 million ($1.2 million international).

10."The Belko Experiment," $1.8 million.

___

Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

1. "Beauty and the Beast," $119.2 million.

2. "Kong: Skull Island," $93 million.

3. "Power Rangers," $18.7 million.

4. "The Boss Baby," $16.3 million.

5. "Life," $16.1 million.

6. "Logan," $12.1 million.

7. "The Prison," $8.3 million.

8. "Split," $5.2 million.

9. "Sing," $4.6 million.

10. "A Dog's Purpose," $4.1 million.

___

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

___

Follow AP Film Writer Lindsey Bahr on Twitter at: http://twitter.com/ldbahr

Antonio Banderas says he's recovered from a heart attack

Spanish film star Antonio Banderas says he has recovered from a heart attack that he had in January.

The 56-year-old Banderas tells Spanish media that "I suffered a heart attack on Jan. 26, but it wasn't serious and hasn't caused any damage."

Banderas says he underwent a procedure to place three stents in his arteries, adding that "it hasn't been as dramatic as some have written."

Banderas' visit to a Swiss clinic had led to speculation about the health of the star known for roles in such films as "The Mask of Zorro," ''Desperado," ''Philadelphia" and the animated "Puss in Boots."

Banderas spoke Saturday at a film festival in his hometown of Malaga in southern Spain, where he received a lifetime achievement award for his career as an actor, director and producer.

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